So far we have taken several practicum classes, which have brought us closer to the particular field of art, the medium, the means and the way how business is done in an area and how we join to this world. How we can manage the artists and the general understanding was given of these fields. Talking about music is borad, to tighten this sphere to my experiences I should began with the nicely organised introduction to the world of music, trough analysis provided during the lession of basic musical notions, sounds, equipment.
The introduction to the various ages I really found useful and should stay as it is in my view, becuase it served as an arthistoric review from the business point of a manager, what he should look for when deals with opera or just a casual concert. What sponsors may support the event or what better not to invole. The funds and capacities at disposal are always limited, the way that limits them are people, tastes and demand. To base music for a financial ground is not a new idea, but consciously manage it with an overall market coverage is. Except states, I did not really see any organised music conesseur for the whole market and neither a consumer who does take it all.
For this reason overall management for the inustry and individual parts of it is really a thing that we should rethink. The loads of talents and far more who try to get to be one, are out there with more or less support and directions.
To lead and unite these freefloating sources I would strongly consider to bring conesseurship and artists on the stock or similar markets... let's C how it works;)
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